polly eisendrath

An inspirational introduction to growing and collecting tulips, set against the backdrop of a beautiful English garden, with expert tips and advice f

Young-Eisendrath teaches readers how to learn from their hardships by drawing on the traditions that have enriched her life experience--the theories o

'Een bijzonder pakketje' is een prentenboek dat antwoord geeft op alle vragen die je maar kunt verzinnen over pakketjes en de post. Waar komt een boek

One of the most respected, prolific and razor-sharp voices in social commentary uses the prism of her extraordinary family to examine the true state o

A landmark work of oral history interrogating everything and anything related to porn.

De bekende wetenschapper Charles Darwin vermoedde altijd al dat er iets speciaals aan de hand was met regenwormen. Maar... wat dan precies? Reis mee l

De dieren van Parkzicht zijn dol op hun heerlijke flatgebouw: het is gezellig, kalm en netjes. Niemand veroorzaakt hier problemen... Maar als Honky To

Subject to Change is a collection of essays by Polly Young-Eisendrath that deal with the "big issues" surrounding how psychoanalysts understand their

"Subject to Change" is a collection of essays written by a senior Jungian analyst. The selected essays deal with the big issues surrounding how psycho

A prominent psychologist offers striking insight and reassuring solutions for parents struggling to help their children develop a new kind of self-con

Polly Young-Eisendrath¿s Women and Desire: Beyond Wanting to Be Wanted was first published by Harmony Books in 1999. Since then, it has become a class

A fascinating look at female desire and empowerment by a renowned psychologist Polly Young-Eisendrath.

An out-of-this-world middle-grade adventure about finding friendship in the most unlikely of places.

Split into three sections - integrity, wisdom and transcendence the book describes and analyses a mature form of "skeptical spiritually" that will be

The seamy underside of humanitarianism

We have become used to looking at art from a stance of detachment. In order to be objective, we create a “mental space” between ourselves and the obje